This exquisite small-scale portrait, painted in oil on copper, depicts Anne of Denmark (1574–1619), queen consort of King James VI and I. Rendered in three-quarter length, Anne is shown in regal Jacobean attire — a black gown with lace ruff and cuffs, richly adorned with pearls and fine detailing.
The portrait is attributed to a Follower of Paul van Somer (1576–1621), the Flemish artist who became one of the leading court painters in England in the early 17th century. While not directly executed by Van Somer, the painting reflects his stylistic influence and the elegance associated with his circle.
The use of oil on copper was particularly popular in the period for intimate, refined portraiture, enhancing luminosity and detail. This piece exemplifies both the artistry and the cultural prestige of the Jacobean court.
Panel: 16.5 × 12.2 cm (6½ × 4¾ in)
Frame: 27.5 × 23 cm
Weight (framed): 678 g
Oil on copper
Ornate carved wood frame (with age-related losses)
Follower of Paul van Somer (1576–1621)
Flemish School, early 17th century
Minor paint loss in areas exposing copper support
Detailed face and attire remain well-preserved
Frame shows age-related wear with missing ornaments
Painting is currently loose and requires reframing
This exquisite small-scale portrait, painted in oil on copper, depicts Anne of Denmark (1574–1619), queen consort of King James VI and I. Rendered in three-quarter length, Anne is shown in regal Jacobean attire — a black gown with lace ruff and cuffs, richly adorned with pearls and fine detailing.
The portrait is attributed to a Follower of Paul van Somer (1576–1621), the Flemish artist who became one of the leading court painters in England in the early 17th century. While not directly executed by Van Somer, the painting reflects his stylistic influence and the elegance associated with his circle.
The use of oil on copper was particularly popular in the period for intimate, refined portraiture, enhancing luminosity and detail. This piece exemplifies both the artistry and the cultural prestige of the Jacobean court.
Panel: 16.5 × 12.2 cm (6½ × 4¾ in)
Frame: 27.5 × 23 cm
Weight (framed): 678 g
Oil on copper
Ornate carved wood frame (with age-related losses)
Follower of Paul van Somer (1576–1621)
Flemish School, early 17th century
Minor paint loss in areas exposing copper support
Detailed face and attire remain well-preserved
Frame shows age-related wear with missing ornaments
Painting is currently loose and requires reframing
